Tom Gill
- HEIGHT 5'5"
- HAIR Light / Mid Brown
- EYES Blue
| TITLE | ROLE | DIRECTOR | PRODUCTION |
|---|---|---|---|
| TELEVISION | |||
| THEATRE | |||
| FILM | |||
| LIFE AND RHYMES | Writer/Performer | Isaac Nartey | CPL Productions/Sky Arts |
| OTHELLO | Cassio | Scott Graham | Frantic Assembly |
| GROWING PAINS UK Tour | Writer/Performer | Matthew Landers | House Theatre |
| DUNSINANE UK & International Tour, | The Boy Soldier | Roxana Silbert | National Theatre of Scotland/RSC |
| HOLLYOAKS | Sam | Various | Channel 4 |
| VIGIL | Adams | James Strong / Isabelle Sieb | BBC |
| BRITANNIA - Series 3 | Todge | Ben Gregor | Sky |
| PETERLOO | Joseph Johnson | Mike Leigh | Thin Man Films |
| DUNKIRK | Furious Soldier | Christopher Nolan | RatPac-Dune Entertainment |
| EDEN LAKE | Ricky | James Watkins | Celador Films |
| GROWING PAINS | Tom | Matthew Landers | Royal Exchange Theatre |
| FIRST LIGHT | Bert | Jonathan Munby | Chichester Festival Theatre |
| LINES | Perk | Jay Miller | The Yard Theatre |
| BUCKETS | - | Rania Jumaily | Orange Tree Theatre |
| DUNSINANE | Boy Soldier | Roxana Silbert | National Theatre of Scotland/US Tour |
| ZIG-ZAG | Chaim | Inne Goris | Manchester International Festival |
| GOODBYE BARCELONA | Sam Abramski | Karen Rabinowitz | Arcola Theatre |
| DUNSINANE | Boy Soldier | Roxana Silbert | RSC & NTS |
Skills
Accents & Dialects
American Standard, Cockney, Lancashire, Liverpool, London, Manchester*
A special mention must go to the fantastic Tom Gill portraying the wrongly accused Cassio, who had some of the most intricate moments of choreography in the show. My eyes were drawn to his character throughout the entire performanceYork Mix
Leading us through much of the story is a young first-time soldier- played by the superb Tom Gill, who recalls a long-ago Kenneth Branagh
Chicago Sun Times
Tom Gill eventually steals the show from his comrade after a devastating monologue
The News
An incredibly accomplished performance from Gill, who flits between musical genres with seemingly effortless skill
The Scotsman
Standing ovations are rare, but the house rose as one at the at the end of Tom Gill’s Growing Pains
Broadway Baby